The aim of the exhibition is to present and contextualise a current tendency in contemporary art, and especially in painting. The artworks, mainly by artists of the middle-aged generation, are constantly revisiting familiar characters from the cartoons of the 1990s. It is an easily detected visual language that oscillates between abstraction and figuration, experimenting with the conscious blurring and interplay or even separation of these two poles. The works are assembled in a patchwork-like manner, based on iconic symbols, elements taken from popular culture and a combination of various artistic styles.

Perceptions of truth are widely mediated through moving images. While they can be used by those in authority to exert influence, this exhibition explores the ways in which time-based media can connect political ideologies with the desire to create a world of one’s own.

Le GAMeC présente Nothing is Lost. L'art et la matière en transformation, dont les commissaires sont Anna Daneri et Lorenzo Giusti. L'exposition est le deuxième chapitre de la Trilogie de la matière, un projet d'exposition à long terme commencé en octobre 2018 avec l'exposition Black Hole. Art et matérialité de l'informel à l'invisible.

Mika Rottenberg reflète la situation actuelle et la condition humaine de notre époque. Elle mêle film, installation et sculpture, combine réalité et fiction pour créer des oeuvres fascinantes, à la fois absurdes, surréalistes, critiques, chaleureuses - et drôles.

Photo : Kim Hansen

Avec des œuvres de la collection du Frac Bourgogne récemment acquises de Marie Angeletti, Richard Hawkins, Tom Holmes, Laure Prouvost, Mika Rottenberg, Louise Sartor, Ashley Hans Scheirl et Martha Wilson.

Ce vernissage s’inscrit dans le cadre du programme des 38èmes Journées Européennes du Patrimoine des 18 et 19 septembre 2021.

Trois dessins et une photographie de l'artiste rejoignent les collections du Frac Bourgogne, Dijon.

Le Tai Kwun Contemporary vous propose SNEEZE, une exposition personnelle de Mika Rottenberg présentant des installations vidéo immersives sur des mondes alternatifs et surréalistes de la vie quotidienne.

Les ordures sont partout: comme un gigantesque tourbillon dans le Pacifique, de fines poussières dans l'air et des microplastiques dans la chaîne alimentaire.

In the exhibition of the Kurt Schwitters Prize winner Mika Rottenberg (*1976 in Buenos Aires, lives and works in New York) her latest film "Spaghetti Blockchain" has its European premiere.

“Crafting the Future” will showcase inspirational speakers, hear from panels of experts, instigate the right questions and advance potential solutions, as well as providing opportunities for everyone from young professionals to absolute beginners to explore making, mending and the craft of caring for our clothes.

PHOTOGRAPHIES DE LA COLLECTION RUTH + PETER HERZOGŒUVRES DE MIKA ROTTENBERG, YURI PATTISON, EMMANUELLE LAINÉ, ANDREAS GURSKY, MICHAEL HAKIMI, THOMAS STRUTH, LIU XIAODONG, CYPRIEN GAILLARD, EX-VOTO PROVENÇAUX

Esta muestra colectiva se centra en un arte que hace grande lo más pequeño, sin establecer categorías grandilocuentes para poner énfasis en elementos que forman parte de la estética de nuestro día a día. Se asumen los diferentes ritmos y el ametrallamiento de imágenes de nuestra contemporaneidad desde la política de la alegría y el propio discurrir de la existencia.

Using absurdist satire to address critical issues of our time, Mika Rottenberg (Argentinian, b. 1976) offers subversive allegories for contemporary life.

The 16th Istanbul Biennial will unveil 38 new commissions which will be dispersed in multiple locations around the city. 57 artists and art collectives from 26 countries have been invited to participate in the 16th Istanbul Biennial, curated by the eminent art historian and curator, Nicolas Bourriaud.

Employing absurdist satire to address the critical issues of our time, Rottenberg creates videos and installations that offer subversive allegories for contemporary life.

GIGANTISME — ART & INDUSTRIE fait converger attitude visionnaire, goût de la belle ouvrage et prise de risque pour des aventures hors norme. Par son caractère inédit, tout comme sa démesure, GIGANTISME peut surprendre.

This is the artist first solo Italian exhibition for which MAMbo worked with the Bregenz Kunsthaus and Goldsmiths CCA London. With his imaginative world full of surreal scenarios, Mika Rottenberg explores the globalization of work and economy, by considering the processes, which turn emotional relations into economic value.

Constructing the World: Art and Economy
Ten years after the peak of the global financial crisis in 2008, this topical exhibition is the first to illustrate the economy’s dramatic influence on art and to make global comparisons, demonstrating these in an analysis of two separate eras.

Mika Rottenberg, Solo Exhibition
The artist will present new and existing work in an exhibition that will run throughout seven galleries in Goldsmiths CCA.

Hopscotch, Art Basel Cities Week
‘Hopscotch’, curated by Cecilia Alemani for the Art Basel Cities Week in Buenos Aires, is a journey through the city, with works installed across three neighborhoods. To carve out a multilayered program that draws on the city’s rich cultural heritage and the excitement and energy of its art scene, Alemani has worked with Argentine and international artists.

​​​​​​​Mademoiselle est une exposition collective qui rassemble une nouvelle génération de femmes artistes internationales, explorant les enjeux (et les paradoxes) liés à la féminité contemporaine, à travers un large éventail de médiums et de sujets.

Resilient Futures
The Thessaloniki Contemporary Art Center of the State Museum of Contemporary Art organizes an international exhibition of contemporary art bringing together artists of different origins, and directly or suggestively, refer to urban, environmental and social resilience and sustainability.

The U.S. Pavilion exhibition at the 2018 Venice Architecture Biennale will present film and video works that explore multiple perspectives—narrative, speculative, or impressionistic—in the pavilion’s rotunda.

Solo show Mika Rottenberg
The artist Mika Rottenberg, who was born in Argentina and grew up in Israel, is concerned with cycles of production and the manner in which commodities are transported. For her exhibition at Kunsthaus Bregenz, she is planning, among other things, to set up the multi-layered processes of cheese production.

ART GENEVE 2018
Nous sommes heureux de vous annoncer la participation de la galerie Laurent Godin à cette nouvelle édition d'Art Genève. Nous présenterons cette année une sélections d'oeuvres de Sylvie Auvray, Peter Buggenhout, Claude Closky, Marc Couturier, Gonzalo Lebrija, Mika Rottenberg, Alain Séchas, Haim Steinbach, Gérard Traquandi et Yarisal & Kublitz. 

Mika Rottenberg
Mika Rottenberg’s self-titled solo exhibition at The Bass presents a selection of work created within the past two years. Her work often focuses on elucidating the mechanics of late-stage, global capitalism by way of absurd and poetic comparisons. 

Bad Intentions
Art is not mimetic. Art is not ‘about’ stuff. Art has no role. Art does not ‘ask questions’. People might do those things, sometimes even people who are artists. But not their art, even if they think it does, even if that was their intention.

Yellow Creature - aspects of Transformation
Transformer - aspects of travesty At the Kunstmuseum Luzern in 1974, it was still a legendary exhibition that asked about the dissolution of gender roles. What was revolutionary at the time is self-evident today. A few decades later gender stereotypes are less exciting, but the demarcation between humans, animals and plants is explosive.